Lee Cronin’s The Mummy review (4K)

Lee Cronin made a strong impression on the horror genre with Evil Dead Rise, and Lee Cronin’s The Mummy immediately signals that this is not intended to be another traditional take on the famous wrapped monster. Instead, this Warner Bros. production turns its premise into a dark supernatural possession story, following journalist Charlie Cannon, his wife Larissa and their family after their daughter Katie disappears in Egypt. Eight years later, Katie is found alive inside an ancient sarcophagus, wrapped in deteriorating burial cloths and carrying far more than the trauma of her disappearance back into the family home. It is an intriguing setup, and the Egyptian mythology, ancient languages and mystery surrounding Katie’s return provide the film with some genuinely interesting ideas to explore. Continue reading “Lee Cronin’s The Mummy review (4K)”

Michael review (4K)

Michael is the kind of music biopic that arrives with an almost impossible task ahead of it. Michael Jackson’s life was extraordinary, hugely influential and undeniably complicated, and Antoine Fuqua’s film chooses to focus primarily on the years that transformed him from the gifted young lead singer of the Jackson 5 into the world’s biggest pop star. Beginning in Gary, Indiana in 1966 and following Michael through his childhood and early solo success, the film frames his difficult relationship with his controlling father Joseph as its central source of dramatic conflict. It’s an accessible and often entertaining approach, but also a noticeably safe one. Michael largely celebrates the legend rather than interrogating him, and while that makes for a crowd-pleasing experience filled with familiar songs and iconic moments, it often feels more like a lavishly produced greatest-hits collection than a truly probing portrait of the man behind the music. Continue reading “Michael review (4K)”

The Super Mario Galaxy Movie review (4K)

The Super Mario Galaxy Movie had the unenviable task of following one of the most successful video game adaptations ever made, and while it doesn’t quite recapture the freshness of its predecessor, it still delivers an energetic family adventure that’s packed with charm, humor and enough Nintendo fan service to keep longtime fans grinning from beginning to end. Rather than simply retelling the Galaxy games, the film uses them as inspiration for a sprawling space adventure in which Mario, Luigi, Peach and their friends set out to rescue Rosalina after Bowser Jr. launches a galaxy-spanning plan to free his father. Along the way, the movie expands the Mario universe with new locations, familiar faces and a surprising number of references to Nintendo’s wider history. The biggest weakness is that its relentless pace sometimes comes at the expense of storytelling, with several character arcs and emotional moments feeling a little rushed before the film races toward its next spectacular set piece. Continue reading “The Super Mario Galaxy Movie review (4K)”

A Knight of the Seven Kingdoms review (4K)

Warner Bros. brings A Knight of the Seven Kingdoms: The Complete First Season to 4K Ultra HD with a release that does justice to one of the most unexpectedly refreshing entries in the ever-expanding Game of Thrones universe. Rather than chasing the sprawling politics, dragon battles and apocalyptic stakes that defined its predecessors, this adaptation of George R.R. Martin’s The Hedge Knight embraces a far more intimate adventure, following the unlikely partnership between Ser Duncan the Tall and his young squire Egg. It’s a notable tonal shift that won’t appeal to everyone immediately, but one that ultimately gives the series an identity all of its own. Continue reading “A Knight of the Seven Kingdoms review (4K)”

IT: Welcome to Derry review (4K)

The first season of IT: Welcome to Derry arrives on 4K UHD as a full-scale expansion of the modern IT universe, repositioning the mythology of Derry, Maine in 1962 and reframing Pennywise’s shadow as something that permeates not just childhood fear but also military paranoia and systemic social tension. Building on the foundation established by earlier film adaptations and Stephen King’s novel, the series leans into a broader ensemble structure: children once again sit at the emotional core, but the narrative deliberately widens its scope to include adults, military operations, and Indigenous knowledge systems that attempt to contextualise the entity beneath the town. The result is a season that feels conceptually ambitious, sometimes even drifting toward reinterpretation rather than strict adaptation, but consistently anchored by the central horror premise of disappearances, escalating violence, and an unseen intelligence feeding on fear. Continue reading “IT: Welcome to Derry review (4K)”