Category: New

In SpongeBob SquarePants: Titans of the Tide, Purple Lamp delivers a buoyant, ghost-tinged platformer that leans into the playful spirit and silliness of its source material. The story kicks off when a clash between King Neptune and the Flying Dutchman sends Bikini Bottom into translucent chaos – citizens are turned into ghosts, and it falls on SpongeBob and Patrick to set things right. The narrative doesn’t aim for deep emotional stakes, but its whimsical conflict and familiar characters make for a charming and appropriately absurd romp. Continue reading “SpongeBob SquarePants: Titans of the Tide review (PS5)”

Mortal Kombat: Legacy Kollection on PS5 is a compelling homage to the blood-soaked origins of the franchise, but it wears its reverence and its flaws in nearly equal measure. Developed by Digital Eclipse and published by Atari, this compilation isn’t just a way to replay classic MK games – it’s a curated archive complete with a deep interactive documentary, rare versions of titles, and thoughtful emulation tools and tweaks. For anyone who remembers tucking quarters into arcade cabinets, it feels like returning to a long-lost arena and a cultural phenomenon. Yet for competitive or modern fighting-game players, small issues muddy the nostalgia a bit. Continue reading “Mortal Kombat: Legacy Kollection review (PS5)”

CLAWPUNK, developed by Kittens in Timespace and published by Megabit Publishing, throws you headfirst into a feral, neon-drenched dystopia where nine cat warriors crash through a crumbling cyberpunk city with claws, guns, and pure rage. The premise is straightforward – rise up against a corrupt corporation – but the game’s true heart is its chaotic, push-forward action. Continue reading “CLAWPUNK review (PS5)”

The PlayStation 5 edition of GIGASWORD stakes its claim on a single mechanical conceit that intrigues: the sword is not just for combat, it is the game. That conceit gives Ezra’s climb of the Nestrium an immediate identity, because the blade’s mass is woven into exploration, puzzle solving and fight rhythm. The opening premise – humans desperate for the God Crystal Gnosis, a tower raid gone wrong, and an awakening that threatens reality – provides a suitably operatic backdrop without ever overwhelming the core loop; the narrative provides motive and occasional sombre texture while the sword remains the game’s central language. Continue reading “GIGASWORD review (PS5)”